Podcast 13

Luke Vibert Special Part 2

01 Cheesy (Amen Mix)

02 Riddim

03 Tuff Rinse

04 Military Jazz

05 I Freak Techniques

06 Don’t Fuck Around

07 Here IT Comes

08 7.44

09 Run

10 Feelings

11 Amen Andrews

12 Back On Time

13 Dbc

Podcast Ten


Listen on soundcloud

01 The Premise (intro)

02 Concertina Turner

03 De-Pimp Act

04 Blasted Wook

05 Rapperacid

06 Filthy Drummer

07 Funky Acid Stuff

08 Asheed

09 L Tronic

10 Brockley Spears

11 Flyover

12 Syntax

13 Homewerk

14 Rewind Selecta

15 Perkission

16 Dive & Lie Wrecked

17 Porn Shirtwee

18 Knockout

Still here, still in wellies

A day in the sickbed gives me the chance to trawl for new stuff including the new Jneiro Janel collab with Doom, aka JJ Doom on Lex Records.

Really interesting interview with JJ on how the album came together:

Well worth checking out JJ’s other stuff to – his aliases include Dr. Who Dat?, Capital Peoples, Panama Blaque, Rocque Wun, Mel Owens, Gwizzo, Phish Bone….

This is a track from the Three Piece Puzzle album:

Nice to check out some hip hop as I’ve been listening to loads of deep house of late, such as Detroit Swindle

Medlar (who also produces as Klic):

and Maxxi Soundsystem:

Also just stumbled across this great blaxploitation video for Luke Vibert’s Respectrum, one of the best tracks from his Toomorrow album:

Have to mention the new Deerhoof album Breakup Songs which I think is real return to form after the slightly disappointing Vs Evil – back to what they do best which is twisted pop songs with nagging hooks and amazing ideas. This is Fête D’Adieu with typically odd video full of them and their geeky mates dancing slo-mo:

My only gripe about Deerhoof’s last two albums is THE DRUMS AREN’T LOUD ENOUGH! Contrast and compare with this warped take on Free’s Alright Now, from Offend Maggie:

Still…..have a look at their FB page to see them in their home studio putting it all together.  Apparently they had to avoid making noise which could explain the drums being a bit quiet.


The Music Library and other reading

This is my first post on WordPress, so hello to both my readers!  I was previously posting on blogspot so if you’re interested you can catch up on my sporadic bits there, here (here, there, everywhere).

Here’s my latest mix on Mixcloud featuring Luke Vibert, J Dilla, Ebo Taylor, Okayplayer’s Bollywood/hip hop mashup, a reggae cover of the Dr. Who theme, and more.

Thanks to my old mucker DJ Dick for the heads up on Radio 4’s recent programme on Library music, which reminded me a) to check out what presenter Jonny Trunk is up to with his fascinating website and label, Trunk Records, b) what a lovely book and CD he put together with help from Jerry Dammers, the Music Library

– always a source of inspiration, especially the artwork.

Oh, and c) – what a genius was Basil Kirchin, composer of albums such as Abstractions of the Industrial North

Basil Kirchin album cover

from which this is a nice track…..

and Primitive London

Basil Kirchin soundtrack album cover

also out on DVD which I’m looking forward to seeing, described as a 1965 Mondo film, complete with teddy boys, strippers, chicken processors and deviants of many types.

Apparently Kirchin, originally a jazz drummer, was way ahead of the curve having spent five months at a temple in India during the early 60s before moving to Sydney. Tragically all the master tapes of his band were lost when his belongings fell into the sea whilst being unloaded at the docks.

Nevertheless he produced some incredible library and soundtrack music which had an obvious influence on bands such as Stereolab and Broadcast (whose singer Trish Keenan sadly died earlier this year.  The last mixtape she made for a close friend is well worth checking out) I can even hear an influence on Soft Machine in some of his stuff.

One last plug for a book I’m reading at the moment

ostensibly a story of how an appreciation all modern music can be bookended by Kylie’s “Can’t Get You Out Of My Head” and Alvin Lucier’s I Am Sitting In A Room (no me neither) it is in fact a masterful piece of rock journalism, a history of how and why Paul Morley became the greatest rock writer in the world (his words – but he’s probably right) but much more importantly it lists virtually all of the important musical, technological, cultural events of the modern age.  All in his own very readable style.